--- Log opened Sat Feb 26 00:00:36 2011 |
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00:52 | < Alek> | http://notalwaysright.com/bad-data-good-outcome/10367 |
01:29 | < gnolam> | Heh |
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04:23 | <@ToxicFrog> | the fuck |
04:23 | <@ToxicFrog> | how did this code ever work |
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04:29 | <@McMartin> | Man, I hate that |
04:30 | <@ToxicFrog> | My best guess is that since I last used it, sed stopped accepting 'sed -r -r' as a valid command line. |
04:31 | <@ToxicFrog> | But then, the fact that my script was emitting 'sed -r -r' in the first place meant that on OSX it was running 'sed -r -E', which means Derakon should have reported it broken. |
04:31 | <@ToxicFrog> | But it worked for him. |
04:31 | <@ToxicFrog> | Aah well, works now. |
04:31 | | * ToxicFrog feasts on delicious Genesis soundtracks |
04:33 | <@ToxicFrog> | What is it about the YM2612 that causes it to sound so sweet? |
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04:37 | <@McMartin> | It didn't do wavetable, so you don't get the otherwise-period instrument distortion at the high and low ends |
04:38 | <@ToxicFrog> | Well |
04:38 | <@ToxicFrog> | The thing is, it doesn't sound like actual instruments |
04:38 | <@ToxicFrog> | But it sounds kickin' rad nonetheless |
04:38 | <@McMartin> | Also, because it didn't do wavetable, the good soundtracks from the Genesis era tend to focus on superior composition over superior sound texture |
04:38 | <@McMartin> | Yamaha knew their electrons, man |
04:39 | <@McMartin> | My guess is that unlike most of the other non-wavetable synths (The Adlib/OPL2 comes to mind) it probably used actual sine waves. |
04:39 | <@McMartin> | WIKI WILL KNOW |
04:40 | <@ToxicFrog> | It does. |
04:40 | <@McMartin> | The use of a full sine wave oscillator over the OPL2's quarter-sine-wave oscillator probably does a lot for it |
04:42 | <@McMartin> | I'm not sure I fully grasp the significance of time-division multiplexing |
04:44 | <@McMartin> | Oh, hm |
04:44 | <@McMartin> | Even the OPL2 could do full sine wave |
04:45 | <@McMartin> | Wiki's sample OPL2 track is pretty good, too. |
04:45 | <@McMartin> | Tyrian's soundtrack is usually better expressed as OPL2 programming than as General MIDI, too. |
04:46 | <@McMartin> | CAMANIS is one of my favorite tracks for the chip. |
04:46 | <@ToxicFrog> | Hmm. I wonder if I should try out this 'foobar2000' thing one of these days. |
04:48 | <@McMartin> | OK, after doing some more reading |
04:49 | <@McMartin> | I believe what you're reacting to in Genesis music is this effect specifically: https://secure.wikimedia.org/wikipedia/en/wiki/Frequency_modulation_synthesis |
04:52 | <@ToxicFrog> | Aah |
04:53 | <@McMartin> | Because it looks like that and an extremely limited PCM channel were GYM's only tricks. |
04:56 | <@McMartin> | (This trick, plus a few waveform transforms, and a less limited PCM channel gets you the Classical Sound Blaster. So there's going to be some Warm Nostalgia Fuzzies there too.) |
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05:08 | | * ToxicFrog cracks out the Phantasy Star IV soundtrack. Now there's the nostalgia kick. |
05:10 | < Namegduf> | Nice. |
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--- Log closed Sun Feb 27 00:00:38 2011 |